Category Archives: Comics

Priya’s Shakti: Comics, Justice and the Indian Way Part I – Interview with Ram Devineni by Suna Dasi

  
The brutal Delhi gang rape and subsequent death of the victim in December 2012 shocked the world. More importantly, it rocked India to its core, with outraged people taking to the streets, demanding better urban safety and an improved judicial system for rape victims everywhere in India. This is an ongoing issue that has yet to see full success, but slow progress has been made.

It is not easy to nudge a certain mode of cultural thinking that results in women drawing the shirtest legal and social straw into different channels. 

I have personal experience with this kind of crime and so have most of my female friends and loved ones, one way or another. I have on occasion used the resources of my work in support of organisations who work tirelessly towards making a difference. On a purely voluntary basis, Art Attack Films has created corporate films for Rape Crisis Centres and local police instruction in Scotland, to further better understanding and approach towards rape victims when they come forward to report their experience. The films were shot with both English and Polish actors; several organisations use them in their work with Romany travellers. One of Edinburgh’s largest universities used the films to encourage debate on the subject among their students.

Then, in the aftermath of the Delhi gang rape, which I had followed with horror and grief, the Priya’s Shakti campaign gained global traction in 2014. This unusual, creative and passionate initiative to create awareness through an interactive comic deeply moved and intrigued me.

  
(The Blippar App enables supporters of Priya’s Shakti to creatively show their solidarity.)

As an avid comic reader, I know what a great platform for social commentary and political satire it can be, not to mention how solace can be found in them if one feels different, alien and lonely outside the expected cultural norm. Many of Chris Claremont’s X-Men narratives saved my own teenage sanity for this exact reason. Looking further, Pat Mill’s Charlie’s War and Marshall Law, Marjane Satrapi’s Persepolis, Alan Moore’s V for Vendetta and lesser known comics like 2000AD serials Bratz Bizarre and Finn instantly spring to mind.

Those not into comics would and do not particularly associate them with addressing societal wrongs. While comics are becoming more and more part of the cultural mainstream as a way to create our modern day mythologies, it is still one of the last bastions where one can get away with truly subversive and status quo challenging subject matter, where other fictional genres are beginning to creak under the increasing weight of politically correct sanitation.

It’s less dangerous when it’s drawn, right?

Read the FULL ARTICLE on the SciFi and Fantasy Network:

http://www.scififantasynetwork.com/priyas-shakti-comics-justice-and-the-indian-way-part-i/ 

  

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Filed under Activism, Articles, Comics, Culture, Diversity, Feminism, India, Media, Social Issues, Uncategorized, Violence Against Women, Woman, Women, Writing

Introducing The SciFiFantasyNetwork.com

Finally the announcement can be made! Today sees the launch of a brand spanking new website: The Scififantasynetwork.com, a EuroCentric fandom site created by Tolkien artist and illustrator Jay Johnstone, in collaboration with YA SciFi writer Francesca Barbini.

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I am very pleased to be a contributing writer. Not only on all matters of Multiculturalism and Steampunk, as below

http://www.scififantasynetwork.com/steampunk-meaning-multiculturalism-and-making-merry-2/

but with sundry articles on general Geekdom topics, plus book, film and comic reviews. I will in all categories be focusing on Multicultural aspects and female artists working in the genre as much as possible.

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An in-depth interview with the creators of the Priya’s Shakti comic is coming soon.

The Network is also still looking for contributors so climb into your quills and contact them via the e-mail address below if you wish to be part of this new endeavour:

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Filed under Articles, Books, Comics, Diversity, Fantasy, Movies, Science Fiction, SciFi, Website, Writing

For Steampunk Hands 2015: The Raj Revised: Steampunking History

Pyjamas. Shampoo. Candy. Doolally. Loot. Bungalow. Cushy. Junk.
These words are all part of daily English speech. (Doolally being a personal favourite.)
They wouldn’t have been part of the English language had they not been assimilated during the British presence in India during the 1900s.

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It’s a perfect way to detect how interwoven the two cultures are. The impact of the Raj is a ripple in the global historical pond that hasn’t stilled to this day.
India, the Jewel in the British Crown, the spice in the English economy, the Empire its Empress never set foot in. This is where Steampunk India comes in.
Steampunk is partly based on an avid love of history. Many Steampunks pride themselves on incorporating historically accurate aspects of the Victorian Era in their costuming, events or building projects.The genre has come quite a way from being mostly Western-centric, with costumes that only reflect the fashions of London society during a certain period, with personas and narratives that are predominantly culturally relevant to Caucasian participants.

More than most creative genres, Steampunk is placed to be truly multicultural, truly inclusive.
I have a fascination for the Victorian Era, a love for maritime history, and direct hereditary ties to the exploits of the British East India Trading Company. As a result I have an avid wish to see more India in Steampunk.
In particular more Indian India, as it were.
In general I want more of Africa, of China, Malaysia, Borneo, Argentina and other non-Western countries, specifically expressions of and representations by the people of each nation. Women, people of all colours, LGBT folk; it is deeply important to further a more egalitarian expression of race and gender, both within the context of events and performance and by authors of diverse heritage and persuasions.

The photo collage below forms an example of where Steampunk inspiration could be found. All these images are from the late 1800s – early 1900s. Clockwise starting top Right: An Indonesian Sarong Weaver. A Malaysian woman in Nonya attire. A young Berber from Tunisia. Araucanian Indians and gauchos, Chile. A young girl, Borneo, possibly from the Kayan tribe.

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Collaborating with others for multiculturalism is vital.
One such collaboration took place last year. I was involved in two events for The Clockwork Watch Transmedia Project created by Yomi Ayeni. Through comics, interactive events and a website featuring a fictional Gazette of the world, Yomi has created a Steampunk milieu where Indian culture plays a more prominent role.*

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(From Clockwork Watch: The Arrival by Yomi Ayeni & Corey Brotherson. Artwork: Jennie Gyllblad.)

As part of the year-long celebration of the 300th anniversary of Longitude in 2014, the Royal Museums in Greenwich organised two interactive events, featuring some of the characters from the Clockwork Watch comics: I played the role of Tinku Ranbir, wife of eminent Indian scientist Chan.
The second event, titled ‘Clocking Off Late’, featured a piece called ‘The Tinku Diaries‘. Tinku’s character occupied the floor of the Maritime Museum that houses the permanent exhibition ‘Traders: The East India Company and Asia’. Visitors to the gallery were introduced to Tinku and instantly submerged into the Clockwork Watch story which merged with the actual history of our world. Artist and musician Ziazan played a mischievous spirit, flitting in and out of the narrative, introducing the public to elements of the created world.
A selection of diary entries scattered around the displays for visitors to find were protectively snatched from them by Tinku’s companion,Thomas, (played by Philip Whiteman) coiling tight the spring of mystery and intrigue that winds the Clockwork Watch.

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(Left: Ziazan carrying a special edition of the Clockwork Watch book. Right to Bottom: Tinku at her desk. A diary extract featured in the fictional London Gazette on the Clockwork Watch Site. Tinku speaks to a museum visitor whilst Thomas looks on, ready to usher the lady away should things get too personal.)

Yomi’s request to create the diaries as an original composition of my own allowed free reign to show an intimate glimpse of Tinku’s mind and experiences. Tinku’s predicament became very immediate to me during this creative process; an Indian woman in a Western environment, trying to carve out a meaningful place for herself while preserving her own values and integrity.
Her diary was also the perfect vehicle to include titbits from the East India Company history and acquaint visitors with a deeper look under the surface. I further incorporated some of the artifacts and paintings that are permanent features of the exhibit, in order to mix fiction with history, as is the Steampunk wont.
In her diary, Tinku mentions a Wadia Sahib. She is referring to Jamsetjee Bomanjee Wadia, (c 1754-1821), Master Shipbuilder at the Bombay Docks. His portrait by J. Dorman is part of the Trader’s Gallery collection:

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The diary ‘extract’ is an original piece of fiction, written especially for Yomi Ayeni. There is a possibility it will eventually be included in the greater Clockwork Watch narrative. It was a true pleasure to write. Both the diary and the event it was part of form a great example of Steampunk used as a Classroom.
As part of Steampunk Hands 2015, The Tinku Diaries will be exclusively published to the Steampunk India website at the end of February. Date to be announced.

* http://www.clockworkwatch.com

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Filed under Acting, Comics, Diversity, Events, MultiCulturalism in Steampunk, Steampunk Hands, Steampunk Hands Around The World, Writing