Tag Archives: Writing

Steampunk Hands Around the World! Steampunk Road Trip. Grasping February’s coattails on the way out.

(Art by Alex Xpike)

Steampunk Hands Around the World is a recurring event in the Steampunkverse. I’ve had the pleasure of being involved since its early beginnings, though my contributions in the past few years have been erratic at best! The project is something I will always champion, since what drives Airship Ambassador Kevin Steil’s initiative is global connection and friendship.

He believes there is a need to unify Steampunks everywhere. Whether they are writers, crafters, bands, event organisers, alcohol manufacturers, diversity warriors, costumiers or simply lovers of the genre who express their enjoyment by attending events and gatherings, his wish is to tie them all closer together and break any walls that stand between different articulations of the genre. It certainly helps towards the ‘More Steampunk Than Thou’ syndrome that can still prevail sometimes, though much less so than when I first became more active and vocal.

I love meeting people, I always have. Steampunk has facilitated some friendships I absolutely never would have had and they cross other interests of mine, too. I made friends with Steampunks who are also pagans, Steampunk who are also musicians, Steampunks who also write across other genres, Steampunks who are also filmmakers, the list goes on.

Some of these friendships could be laid down on a map as a digital road trip, as I have yet to meet some of them in person.

It is a real feature of the modern age that we can sustain a friendship and grow close without physical proximity.

I’ve had some real life-wrenching, air-punching, joy-affirming, sorrow-sharing Skype and Facetime conversations. I’ve exchanged heart secrets via WhatsApp. (Probably foolish, actually considering no data is safe.) But it is a sharing across boundries, visible and invisible that is reflected in the idea behind Steampunk Hands.

When you end up getting closer, it does become an urge to meet up in person, something I try to do whenever possible.

Last year, I finally had the thorough delight to meet up with Diana Pho and her newly wedded partner Ashley.

When I first launched Steampunk India in 2012, Diana was one of the first people to express her enthusiasm and support. She kindly signal boosted articles and posts on Beyond Victoriana to help bring SP India to a wider audience. An online friendship grew through a raft of other mutual interests across fiction, comics, theatre, movies and being vocal for inclusion in various pop culture/alternative communities and LGBTQ representation.

So there we finally were, at one of my favourite Edinburgh haunts – Treacle on Broughton Street, loved by me for their inventive cocktails and the TV screen near the door that plays Thundercats episodes on an endless silent loop. Tipples of choice in hand, we chatted nineteen to the dozen about all these things we were passionate about and our most recent and current projects. It was short but sweet, she and Ashley were taking full advantage of the fact they were in town during the Fringe and had a show to catch. But these moments where lives touch, in this case lives that mostly play out continents apart, is exactly what the joining of Steampunk Hands is about.

Diana Pho of Beyond Victoriana (Right)

An armchair Steampunk road trip of sorts took place over the past two years or so. Josué Ramos and Paulo César Ramirez Villaseñor, as a direct result of connections made through Steampunk Hands, came up with the idea for a bilingual Steampunk anthology that would include writers from all over the world. It was homeless for a while until it found a publisher in Luna Press.

I covered this publishing journey in previous articles so I shan’t rattle on about it at length again. It deserves a mention as an example of a Steampunk collaboration that joined people together, who had become friends during past Steampunk Hands events and who, besides writing the fiction and creating the artwork, became mutually invested in the technical side of getting the book to see the light of day.

(Night train from Kolkata to Assam. ©️Suna Dasi)

At the beginning of this year, I was in India (which deserves a whole article in itself – if I manage to sit still for more than half an hour at some point) and could not let the opportunity slip for another joining of Steampunk Hands: Shreya Ila Anasuya is an award winning writer, academic and activist who currently lives in Mumbai. Those very worthy features are not the things that connected us at first, some five or six years ago. In fact, I’m pretty sure the very first thing we did together was fangirl online at each other about the Steampunk/Lovecraftian joy that is Hopeless, Maine, which I enthused about on the SP India Facebook page when it came out as a serialised online comic. We ended up chatting in the comments thread and have been corresponding ever since.

(Hopeless, Maine. ©️Tom & Nimue Brown)

A lovely addendum is that Tom and Nimue Brown, the creator couple who draw and write the comic together, also became friends in more than one way, though we have so far not met face to face. I occasionally exchange ideas and thoughts on various strands of witchcraft and paganism with Nimue, which is always fascinating as we both come from extremely different schools of thought and practice. Tom happily boosts all music projects I’m involved in and literally cheers from the sidelines when I sell a new piece of writing. They’re both just lovely and part of a minute group of people whom I would meet without hesitation after having known them previously online. Fingers crossed that will happen in the near future. But I digress down a sidetrack on this road trip…

Back to Mumbai; sweltering, blistering Mumbai, even in January. Shreya meets my travel companions and I in Versova Social, a bar that so utterly exudes the same wonderful vibe as De Kroon in Amsterdam that it’s uncanny.

And there we finally were, at Versova, now forever loved by me for it’s great ambiance, inventive cocktails and perfect lounge music. Tipples of choice in hand, we chatted nineteen to the dozen about all the things we were passionate about: poetry, books, queer activism and representation in Indian society, people we admired, writing projects we were involved in.

The best thing about this meeting was that there was more time; as all of our conversations ended up being unfinished business by the end of the night, we met up again the next evening and simply continued. There is even a joint fiction project in the works for the near future!

Shreya Ila Anasuya (Left)

India itself was a true road trip, too, and very often Victoriana and the modern clung chaotically together like a messy, jungly, Victorian/Blade Runner mashup.

(Kolkata, ©️Suna Dasi)

One of the things that struck me is the fact that it isn’t merely a small effort to imagine yourself back in the days of the Raj, but that your surroundings will accommodate you with ease.

(Yep, that’s me! ©️Suna Dasi)

Everywhere, traces of the colonial empire persist, in the architecture and infrastructure on first glance, in the culture when probing further and deeper under the skin of Indians and Indian-ness. It’s not so much what Indian culture has lost (which is much, if you consider for example that it was the Victorians who introduced a form of prudery and lack of acceptance regarding sex and sexuality that was hitherto not part of the Hindu mindset – also food for an individual article later down the line), but what it has retained. Indians are obsessed with giving out cards, for instance. It is a leftover from leaving calling cards when going visiting and it is seen as a mark of sophistication to have your own cards.

(Victorian lamppost, Juhu Beach, Mumba. ©️Suna Dasi)

This impromptu article was cobbled together in haste, to be able to contribute to Steampunk Hands Around the World before February 2018 turns into a pumpkin at midnight. I have neither expressed myself as well as I’d like, nor included everything relevant to the concept of a Steampunk Roadtrip. The main thrust however, is this:

Journeys are made more meaningful by the people and places you connect with. The more people and places you connect with, the richer your experience of the world and the more likely we are to have a greater understanding of it. The Steampunk Hands initiative insists that boundaries are there to be crossed, cultural walls to be scaled and continental distances to be covered, in order to make those connections.

So if you find yourself with an opportunity of meeting someone you might otherwise not be able to, for reasons of distance, circumstance or what have you, do it. Enjoy the chance of sitting in a favourite haunt, tipple of choice in hand, chatting nineteen to the dozen, sharing the things that drive you and stir your passions. Keep travelling.


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Filed under Books, Comics, Culture, Diversity, Events, India, Steampunk, Steampunk Hands, Steampunk Hands Around The World, Victorian, Victoriana, Writing

2018: Steampunk, SpecFic, Music and more!

Happy New Year!

Seldom do I post (for regular updates Twitter is best), yet now I have many excitements to impart. Please make like the tiny turtles in Finding Nemo and scooch together, my kind followers.

2017 ended on a high note with big gig conformations for Erin Bennett: Planet Rock’s Winter’s End Festival, (we play on Sat 24/02) plus Hawkwind’s Hawkeaster Happening, in Morecambe. Krow, too, has an epic gig confirmed – announcement coming soon! New album releases are pending for both. (For those of you who followed this blog fairly recently; I sing backing vox in both bands, which is how I make a living. I write in the gaps.) The Cherry on the Christmas Cake: invites for contributions to two new anthologies & a speculative poem for a third.


2018 started with a bang because oh, my goodnes; My short story ‘Unmade‘ (featured in Steampunk Writers Around the World) has been nominated for a BSFA by the British Science Fiction Association! Many congratulations to all fellow nominees & my open minded publishers at Luna Press Edinburgh.

For the full list of nominees in all categories, see the BSFA website.




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Steampunk India Interview in DESIblitz Magazine

The Steampunk Universe anthology, edited by Sarah Hans, is gaining momentum; more news to follow very soon!

Meanwhile, I spoke to Fatima Farah of Indian magazine DESIblitz about my background and what inspires me when writing inclusive Victoriana fiction: Suna Dasi Talks Short Stories and Steampunk India 


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Filed under Articles, Articles by Others, Books, Culture, Diaspora, Diversity, Hidden Exclusion, History, India, MultiCulturalism in Steampunk, MultiCuturalism, Music, Steampunk, Uncategorized, Victorian, Victorian PoC, Victoriana, Women, Writing

Season’s Greetings from Steampunk India

Christmas is close, how lovely! It’s nearly time to wrap up for the holidays. 

The last deadline of the year is looming: an article about Indian Steampunk for the next edition of SciFi Romance Quarterly. 2016 will see the release of the Steampunk Universe anthology edited by Sarah Hans, featuring my latest story, Internal Devices. I will be contributing to The SciFi and Fantasy Network and am excited about my involvement in a writing project instigated by fellow Steampunk Hands Around the World participants, which has been brewing for some time. February will of course see the 2016 edition of Steampunk Hands Around the World itself: the annual global effort to connect as many people across as many cultures through Steampunk as possible by local events, blog tours, themed articles, exclusive artwork and interviews and much more. Keep a weather eye on the Airship Ambassador’s site for details.

Work is ever ongoing for the Steampunk India-verse itself; short stories – and ,eventually, a book – are mapped out. I will delve into other genre writings as well as ongoing music projects. I will continue to work towards gender -and LGBTI equality in all creative industries

So please, keep your aural induction oscillators tuned to the aether, thank you for your support and enjoy the festive season, however you may celebrate! 

Merry Days from Suna Dasi.  


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The Tinku Diaries: New fiction up on Steampunk India, in collaboration with Clockwork Watch.

FICTION is now LIVE: The Tinku Diaries are up on the Steampunk India website: It was written exclusively for The Clockwork Watch: The Transmedia Experience’s event ‘Clocking Off Late’, imagineered and directed by Yomi Ayeni. The diaries build upon a character from the Clockwork Watch comics, Tinku Ranbir.
It was a great pleasure to collaborate and delve deeper into Tinku’s mind. – Suna Dasi



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Introducing The SciFiFantasyNetwork.com

Finally the announcement can be made! Today sees the launch of a brand spanking new website: The Scififantasynetwork.com, a EuroCentric fandom site created by Tolkien artist and illustrator Jay Johnstone, in collaboration with YA SciFi writer Francesca Barbini.

Screen Shot 2015-03-27 at 10.18.01

I am very pleased to be a contributing writer. Not only on all matters of Multiculturalism and Steampunk, as below


but with sundry articles on general Geekdom topics, plus book, film and comic reviews. I will in all categories be focusing on Multicultural aspects and female artists working in the genre as much as possible.


An in-depth interview with the creators of the Priya’s Shakti comic is coming soon.

The Network is also still looking for contributors so climb into your quills and contact them via the e-mail address below if you wish to be part of this new endeavour:

Screen Shot 2015-03-27 at 10.31.19

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For Steampunk Hands 2015: The Raj Revised: Steampunking History

Pyjamas. Shampoo. Candy. Doolally. Loot. Bungalow. Cushy. Junk.
These words are all part of daily English speech. (Doolally being a personal favourite.)
They wouldn’t have been part of the English language had they not been assimilated during the British presence in India during the 1900s.

It’s a perfect way to detect how interwoven the two cultures are. The impact of the Raj is a ripple in the global historical pond that hasn’t stilled to this day.
India, the Jewel in the British Crown, the spice in the English economy, the Empire its Empress never set foot in. This is where Steampunk India comes in.
Steampunk is partly based on an avid love of history. Many Steampunks pride themselves on incorporating historically accurate aspects of the Victorian Era in their costuming, events or building projects.The genre has come quite a way from being mostly Western-centric, with costumes that only reflect the fashions of London society during a certain period, with personas and narratives that are predominantly culturally relevant to Caucasian participants.

More than most creative genres, Steampunk is placed to be truly multicultural, truly inclusive.
I have a fascination for the Victorian Era, a love for maritime history, and direct hereditary ties to the exploits of the British East India Trading Company. As a result I have an avid wish to see more India in Steampunk.
In particular more Indian India, as it were.
In general I want more of Africa, of China, Malaysia, Borneo, Argentina and other non-Western countries, specifically expressions of and representations by the people of each nation. Women, people of all colours, LGBT folk; it is deeply important to further a more egalitarian expression of race and gender, both within the context of events and performance and by authors of diverse heritage and persuasions.

The photo collage below forms an example of where Steampunk inspiration could be found. All these images are from the late 1800s – early 1900s. Clockwise starting top Right: An Indonesian Sarong Weaver. A Malaysian woman in Nonya attire. A young Berber from Tunisia. Araucanian Indians and gauchos, Chile. A young girl, Borneo, possibly from the Kayan tribe.


Collaborating with others for multiculturalism is vital.
One such collaboration took place last year. I was involved in two events for The Clockwork Watch Transmedia Project created by Yomi Ayeni. Through comics, interactive events and a website featuring a fictional Gazette of the world, Yomi has created a Steampunk milieu where Indian culture plays a more prominent role.*

(From Clockwork Watch: The Arrival by Yomi Ayeni & Corey Brotherson. Artwork: Jennie Gyllblad.)

As part of the year-long celebration of the 300th anniversary of Longitude in 2014, the Royal Museums in Greenwich organised two interactive events, featuring some of the characters from the Clockwork Watch comics: I played the role of Tinku Ranbir, wife of eminent Indian scientist Chan.
The second event, titled ‘Clocking Off Late’, featured a piece called ‘The Tinku Diaries‘. Tinku’s character occupied the floor of the Maritime Museum that houses the permanent exhibition ‘Traders: The East India Company and Asia’. Visitors to the gallery were introduced to Tinku and instantly submerged into the Clockwork Watch story which merged with the actual history of our world. Artist and musician Ziazan played a mischievous spirit, flitting in and out of the narrative, introducing the public to elements of the created world.
A selection of diary entries scattered around the displays for visitors to find were protectively snatched from them by Tinku’s companion,Thomas, (played by Philip Whiteman) coiling tight the spring of mystery and intrigue that winds the Clockwork Watch.

(Left: Ziazan carrying a special edition of the Clockwork Watch book. Right to Bottom: Tinku at her desk. A diary extract featured in the fictional London Gazette on the Clockwork Watch Site. Tinku speaks to a museum visitor whilst Thomas looks on, ready to usher the lady away should things get too personal.)

Yomi’s request to create the diaries as an original composition of my own allowed free reign to show an intimate glimpse of Tinku’s mind and experiences. Tinku’s predicament became very immediate to me during this creative process; an Indian woman in a Western environment, trying to carve out a meaningful place for herself while preserving her own values and integrity.
Her diary was also the perfect vehicle to include titbits from the East India Company history and acquaint visitors with a deeper look under the surface. I further incorporated some of the artifacts and paintings that are permanent features of the exhibit, in order to mix fiction with history, as is the Steampunk wont.
In her diary, Tinku mentions a Wadia Sahib. She is referring to Jamsetjee Bomanjee Wadia, (c 1754-1821), Master Shipbuilder at the Bombay Docks. His portrait by J. Dorman is part of the Trader’s Gallery collection:


The diary ‘extract’ is an original piece of fiction, written especially for Yomi Ayeni. There is a possibility it will eventually be included in the greater Clockwork Watch narrative. It was a true pleasure to write. Both the diary and the event it was part of form a great example of Steampunk used as a Classroom.
As part of Steampunk Hands 2015, The Tinku Diaries will be exclusively published to the Steampunk India website at the end of February. Date to be announced.

* http://www.clockworkwatch.com


Filed under Acting, Comics, Diversity, Events, MultiCulturalism in Steampunk, Steampunk Hands, Steampunk Hands Around The World, Writing

Comic Crossover from Broadsword creators featuring Steampunk India!

It has been some time in the making but it is here at last: Comic artists Jim Balent and Holly Golightly’s comic Crossover collaboration, featuring a merge of the well known characters of Tarot: Witch of The Black Rose and School Bites comics…


To generate an environment in which all characters meet, they used a trope very much at home in Steampunk: time travel.

And here is where Steampunk India gets a feature: the time machine is piloted by Indian mechanic Soona Day (a version of Steampunk India’s Suna Dasi).

2015/01/img_0697.jpg (Concept image still featuring the mouse crosshairs…)

In in spite of her engineering skills, the machine malfunctions and its passengers find themselves in a hairy – or perhaps one should say scaly? – situation in another dimension.

Suna Dasi: “I am thrilled with the Crossover comic and the manner in which Jim Balent and Holly GoLightly have made room for yet another diverse, strong female character of colour in amongst the regular faces! I very much look forward to see where the narrative takes the characters next.
The artists have been extremely generous with their characterisation and I am tickled to the highest degree that Steampunk India has become a (minor) part of the Broadsword canon.”


The first section of the Crossover comic is available on


The comic is part of the Tarot: Witch of The Black Rose Reading Library as Tarot#90.

Related links:


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Clocking Off Late: A photo impression from the event.

An impression of the 13th of November’s Clocking off Late Presents: The Tinku Diaries, a collaboration between The National Maritime Museum Greenwich (Katherine McAlpine, Richard Dunn), Clockwork Watch: The Transmedia Experience (Yomi Ayeni) and Steampunk India (Suna Dasi as Tinku Ranbir).

Here we see Tinku at her business, welcoming visitors to the East India Trade Gallery and answering individual questions from members of the public.
Her trusty assistant Thomas (played by Phillip Whiteman) is ever by her side, or hovering near in case he is needed.


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Armistice Day 2014 – The India connection.

Today is Armistice Day, which this year commemorates the 100th anniversary of the start of WWI and the 70th anniversary of the D-Day landing.
The first photograph depicts WWII Spitfire pilots of Hindu, Sikh and Muslim heritage, taken in 1944. (Image source unknown, information welcome.)


Second photograph, from 1921: The Chattri Memorial in Brighton commemorates the Hindu and Sikh soldiers who died in WWI and is the only one of its kind in Britain. The photo is taken on the day of the official unveiling of the memorial by Edward, Prince of Wales. (Image courtesy of Royal Pavilion and Museums, Brighton and Hove.)


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