The Steampunk Universe anthology, edited by Sarah Hans, is gaining momentum; more news to follow very soon!
Meanwhile, I spoke to Fatima Farah of Indian magazine DESIblitz about my background and what inspires me when writing inclusive Victoriana fiction: Suna Dasi Talks Short Stories and Steampunk India
Filed under Articles, Articles by Others, Books, Culture, Diaspora, Diversity, Hidden Exclusion, History, India, MultiCulturalism in Steampunk, MultiCuturalism, Music, Steampunk, Uncategorized, Victorian, Victorian PoC, Victoriana, Women, Writing
Beside Steampunk India and singing with Erin Bennett (my ‘day job’) , I am a founder of female positive music festival Pandora Fest. In the spirit of signal boosting on all frequencies, here is a recent article on the event by music blog Drunken Werewolf.
(Image: Erin Bennett & The EB Band (ft. Anna Fraser on drums and myslf on backing vox)
The festival has its inaugural launch next month, on July 16th in Scotland and features a great variety of artists and genres. There is opportunity to camp, glamp, browse the market stall, eat, drink and be merry! Everyone is welcome!
Though not strictly Steampunk related, the event certainly hits the independently minded, DIY button…And of course, if you are based in UK, perhaps you might like to attend..
Coming soon: news on the two publications that will feature Steampunk India short stories this year.
Filed under Articles, Articles by Others, Culture, Events, Feminism, Media, Music, Music, Music Festival, Steampunk, Uncategorized, Website, Women
By Anna Kamaralli – Favourite Shakespeare Women: an article written for ShakespeareTwentyScore.org on International Women’s Day 2016.
All has been quiet on this blog recently, because the action is going on over at ShakespeareTwentyScore.org but I wanted to cross-post my International Women’s Day piece from over there, just in case anyone would like to share thoughts on Shakespeare’s female characters in the comments.
While we don’t have anything like as many to choose from, the smaller numbers of female characters in Shakespeare’s plays means the ones who are there tend to be the vivid splashes of colour in a field of grey Lords. Be they virtuous, evil, complex or intermittently disturbingly underwritten, they all do tend to be memorable.
Judi Dench as the Princess of France in Henry V
Do you favour the ingenues, the grand queens, or the lowly comic matrons?
Katharine Hepburn as Beatrice in Much Ado About Nothing
Rosalind in As You Like It was probably Shakespeare’s most popular heroine for a long…
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It was a true pleasure to be part of the Roundtable: Intersections between South Asian Folklore, Myth and Lived Experience feature in Truancy Issue 2.
The questions and answers begetting more questions and answers provided challenging, wonderful food for thought. It was fascinating, moving and inspiring to read my fellow participants’ replies. Some of the resultant ponderings and conclusions didn’t make it into the (already blissfully long) article. These were the more personal ideas regarding diaspora, identity and place, coupled with the perceived legacy of folklore, myth and legends from various cultures that, for me, ended in the following.
Though I am nostalgic for something unexperienced when I yearn for being part of Indian culture in a way that was denied to me when I came into the world, I am simultaneously very aware that this is a type of… romantic affectation.
There is no conflict of identity. I am very happily myself. Or rather; it has been my privilege to have had the space to become so, by trial and error, through joys and woes. That is solely the result of growing up with the cultural freedoms I enjoyed. Had I been born and raised within my own culture, bound by what I know to be the stifling constraints of my heritage, I would most certainly not have been able to become a touring singer, nor an all out, woman-loving equality activist, embodying nothing resembling religion, though you could argue I have an abiding, possibly worshipful wonder for science and nature. As a friend affectionately said once: You are a Sagan pagan. I’ll take that.
I adore being a fusion of cultures, a true citizen of the world – much overused as the term is. While I may not speak much Hindi at all, I speak three languages comfortably and a further two adequately. This roundtable, while actually being about folklore and inherited myths, has been excellent for crystallising some thoughts that have been swimming in the bottom of my mind like little blind fishes. I have long wondered whether all this superimposed angst of cultural belonging, or the judgment from people both Western and of countries you are ‘really from’ (recognise that question anyone? Folk always seem dissatisfied when I say The Netherlands!) may partly be a strange type of jealousy. Why not have it all? Why not have cake and eat it?
Nothing has been taken from me in that respect, rather a melding of cultures that has given my life that many more dimensions. Including the rich veins of mythology, fairy tales and folklore from more worlds than just one. I hope the roundtable gives insight and enjoyment of the different minds and backgrounds coming at those questions.
Plus, this issue contains wonderful fiction and artwork. Enjoy!
Christmas is close, how lovely! It’s nearly time to wrap up for the holidays.
The last deadline of the year is looming: an article about Indian Steampunk for the next edition of SciFi Romance Quarterly. 2016 will see the release of the Steampunk Universe anthology edited by Sarah Hans, featuring my latest story, Internal Devices. I will be contributing to The SciFi and Fantasy Network and am excited about my involvement in a writing project instigated by fellow Steampunk Hands Around the World participants, which has been brewing for some time. February will of course see the 2016 edition of Steampunk Hands Around the World itself: the annual global effort to connect as many people across as many cultures through Steampunk as possible by local events, blog tours, themed articles, exclusive artwork and interviews and much more. Keep a weather eye on the Airship Ambassador’s site for details.
Work is ever ongoing for the Steampunk India-verse itself; short stories – and ,eventually, a book – are mapped out. I will delve into other genre writings as well as ongoing music projects. I will continue to work towards gender -and LGBTI equality in all creative industries.
So please, keep your aural induction oscillators tuned to the aether, thank you for your support and enjoy the festive season, however you may celebrate!
Merry Days from Suna Dasi.
Filed under Articles, Culture, Diversity, Fantasy, India, Media, MultiCuturalism, Science Fiction, SciFi, Steampunk, Steampunk Hands Around The World, Uncategorized, Website, Writing
An extremely evocative cross section of Delhi’s photography exhibition ‘Indian Women through the Ages’, taken between the 1850s and 1950s, is available on the BBC website .
The image below shows a Muslim dancing girl, taken in 1900. I can only wish the full range of pictures are available online or at least in a book of the exhibition.
So many Victorian writings and imagery from the Raj focus on the men of the culture. It was partly because of selective and biased writing, though there was a plethora of intrepid British women travellers who broke with convention by going into the Deep Interior by themselves and writing about their experiences. It was also common for Western photographers to not be allowed entrance in women’s quarters, daily affairs or sections of a household.
Fred Bremner, another famous Victorian photographer from Scotland, captured hundreds of people and daily Indian situations. Some of these were on display in a Scottish National Portrait Gallery exhibition ‘From Lucknow to Lahore’ in 2012-2013. They were fascinating, but it was his wife who let into several courts and zenannas to take images of the women and there was only one photograph taken by her in the exhibit. My keenest wish is for all of Mrs. Bremner’s photographs to become available one day!
The Begum of Bhopal, photographed by Bremner’s wife, as featured on the Portrait Gallery’s exhibition poster.
From the ‘Picturing India with Bremner’ article on the Traveller’s India website: “Fred Bremner married around 1902, and his wife — he does not disclose her name — ‘gifted with good taste, was greatly interested in the art of photography and gave every attention to reception room duties as well as applying her hand to use of the camera on the occasion of photographing a Purdah [i.e. ‘behind-the-veil’ lady whose face… men are not allowed to look upon’. She even assisted Bremner in photographing noblewomen. ‘The Begum of Bhopal was visiting Simla and Her Highness expressed a wish to Mrs. Bremner that she would like some photographs of herself to be taken at Bhopal. All arrangements were made and during the summer… we found our way to Bhopal, which was a long and somewhat weary journey from Simla. However, all went well, resulting in my wife securing some photographs of Her Highness in State dress which gave her every satisfaction’. Bremner also noted that ‘on several other occasions Mrs. Bremner had the pleasure of photographing Indian ladies of the Harem’. “
Filed under Articles, Culture, Delhi, Diversity, Events, Exhibition, History, India, Media, MultiCulturalism in Steampunk, MultiCuturalism, Museum, Victorian, Victoriana, Women, Women's History
Via SHEROES OF HISTORY: BHIKAIJI CAMA – ‘MOTHER OF THE INDIAN REVOLUTION’ by Katacharin.
Bhikaiji Cama was an important figure in the movement for an independent India. Known to some as ‘Madam Cama’ and others as ‘The Mother of the Indian Revolution’.
Bhikaiji Sorab Patel was born on the 24th September 1861 into British-ruled India. Her young life was fairly uneventful; raised in a privileged family, she did well at school and had a flair for languages.
In 1885 she was married, and her name became Bhikaiji Rustom Cama. Unfortunately this marriage wasn’t very successful. By this time in her life Bhikaiji had begun to have strong feelings about the British rule of India, and had become very interested in the Indian Nationalist Movement which campaigned for a free and independent country. Sadly her husband didn’t share her views, he was pro-British and enjoyed the benefits this gave him. Eventually, and controversially for the time, she left him.
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Article by Lopamudra:
“intings, sometimes stated as Madhubani, belong to the genre of folk paintings of India. It originated in the region of Mithila from where they also derive their name. Since it is the geographical derivation and medium of the artwork that unites this genre and kind, this classification or nomenclature is fitting.”